In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents--including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a bo...(展开全部)

In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents--including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a bo...(展开全部)

Pixar is 25 years old in 2011. This gorgeous, expansive book features the complete colour scripts and a selection of the best of the art from the twelve films to date: "Toy Story", "A Bug's Life", "Toy Story 2", "Monsters Inc.", "Finding Nemo", "The Incredibles", "Cars", "Ratatouille", "WALL E", "Up", "Toy Story 3" and "Cars 2". The full-colour scripts for each film, prominentl...(展开全部)

Pixar is 25 years old in 2011. This gorgeous, expansive book features the complete colour scripts and a selection of the best of the art from the twelve films to date: "Toy Story", "A Bug's Life", "Toy Story 2", "Monsters Inc.", "Finding Nemo", "The Incredibles", "Cars", "Ratatouille", "WALL E", "Up", "Toy Story 3" and "Cars 2". The full-colour scripts for each film, prominentl...(展开全部)

Renaissance logician, philosopher, humanist, and teacher, Peter Ramus (1515-72) is best known for his attack on Aristotelian logic, his radical pedagogical theories, and his new interpretation for the canon of rhetoric. His work, published in Latin and translated into many languages, has influenced the study of Renaissance literature, rhetoric, education, logic, and--more recen...(展开全部)

In the late 19th century, an enduring preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects - cups, saucers, chairs, and tables - began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism. Ra...(展开全部)

In the late 19th century, an enduring preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects - cups, saucers, chairs, and tables - began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism. Ra...(展开全部)

彼得•沃森（Peter Watson），生于1943年，先后担任《今日种族》《新社会》等多家杂志的主编和副主编，《泰晤士报》《纽约时报》等多家报刊的记者和撰稿人。1983年成为国际艺术代理商，多次揭发轰动世界的艺术界丑闻，曾亲自追踪查访大量窃取欧洲古艺术宝藏的犯罪团伙；1997年起任剑桥大学麦克唐纳考古研究所研究员。其著述颇丰，代表作有《德国天才》《20世纪思想史》《大分离：旧大陆与新大陆的历史与人性》《卡拉瓦乔的阴谋》等。

彼得•沃森（Peter Watson），生于1943年，先后担任《今日种族》《新社会》等多家杂志的主编和副主编，《泰晤士报》《纽约时报》等多家报刊的记者和撰稿人。1983年成为国际艺术代理商，多次揭发轰动世界的艺术界丑闻，曾亲自追踪查访大量窃取欧洲古艺术宝藏的犯罪团伙；1997年起任剑桥大学麦克唐纳考古研究所研究员。其著述颇丰，代表作有《德国天才》《20世纪思想史》《大分离：旧大陆与新大陆的历史与人性》《卡拉瓦乔的阴谋》等。

彼得•沃森（Peter Watson），生于1943年，先后担任《今日种族》《新社会》等多家杂志的主编和副主编，《泰晤士报》《纽约时报》等多家报刊的记者和撰稿人。1983年成为国际艺术代理商，多次揭发轰动世界的艺术界丑闻，曾亲自追踪查访大量窃取欧洲古艺术宝藏的犯罪团伙；1997年起任剑桥大学麦克唐纳考古研究所研究员。其著述颇丰，代表作有《德国天才》《20世纪思想史》《大分离：旧大陆与新大陆的历史与人性》《卡拉瓦乔的阴谋》等。